Memory of Topography

teamLab, 2018, Interactive Digital Installation, Sound: Hideaki Takahashi

PLAY MOVIE

  • Summer, Rice Terraces

  • Summer, Rice Terraces

  • Summer, Firefly

  • Summer, Crape Myrtle

  • Summer, Dandelion Seeds

  • Summer, Grasshopper

  • Spring, Cherry Blossom

  • Spring, Evening Cherry Blossoms

  • Spring, Canola Flowers

  • Spring, Wisteria

  • Spring, Lavender

  • Spring, Lavender

  • Spring, Swallows

  • Spring, River and Sweetfish

  • Spring, River and Sweetfish

  • Autumn, Rice Terraces

  • Autumn, Rice Terraces

  • Autumn, Sweet Olive

  • Autumn, Autumn Leaves

  • Autumn, Grey Starling

  • Autumn, Grey Starling

  • Autumn, Red Dragonfly

  • Winter, Blizzard

  • Winter, Camellia+North Wind

  • Winter, Camellia

  • Winter, Grey Starling

  • Winter, Grey Starling

  • Winter, North Wind

  • Winter, Powder Snow+North Wind

  • Winter, Plum Blossoms+Grey Starling

  • Winter, Plum Blossoms

  • Winter, Powder Snow+North Wind

  • Winter, Powder Snow

Memory of Topography

teamLab, 2018, Interactive Digital Installation, Sound: Hideaki Takahashi

This artwork installation depicts a rural mountain landscape of varying elevations. The scenery instills in the viewer a feeling of eternal permanence, however with the flow of real time the scenery is continuously changing. In the spring, the rice fields are still small and lush. In summer, they begin to mature, and in fall, they turn a golden color. And with the flow of time, the insects and flowers that make an appearance also change. The movement of insects is influenced by the movement and actions of people. And as people move around, the flow of air changes and blows the rice plants or scatters flower petals in different directions.


The overall appearance of this work will hardly change with each year. However, as in nature, the scenery is actually changing, and you will never see the same scenery twice. This moment will never be repeated and can never be seen again. Seemingly unchanging landscapes go on year after year for eternity.


The work and the canvas that mediates it are separated - the canvas has become transformative. The visual illusion produced by continuous dynamic change causes the viewer to become bodily immersed in the work, and the border between the viewer and artwork dissolves. As the unified world changes, viewers may feel a sense of melting into the world, becoming one with it and with each other.